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Currently sitting at over 90 million streams, the track’s orphic bounce has made it her biggest song to date, and its success is a testament to the fact that Flo Milli’s potential for future domination is through the roof. She followed that up with a sugar trap anthem deemed “In The Party,” a standout from her debut mixtape Ho, Why Is You Here? in 2020. The 21-year-old spitter, characterized by her greasy lyrics, exuberant confidence, and cartoonish tone, got hot off of her rip of Playboi Carti’s “Beef” featuring Ethereal. Below, you’ll find ten aux cord-ready gems by artists that should be on your radar for the foreseeable future.įlo Milli is one of the latest to bubble up from Alabama’s oft underappreciated rap scene. Those tracks scratch the surface, but there’s plenty more out there that’ll catch your ear. South Korean boy band TREASURE and their aptly-titled album intro “My Treasure” is still growing legs months after its release, as is the wholesome hymn “La Pregunta del Millón” by Mexican regional standouts Los Dos Carnale His sincerity is what draws you into his music, much in the way that fans have gravitated towards rising German powerhouse Zoe Wees and her anthemic “Girls Like Us.”Īside from solo acts, the synergy between emerging talent has proven that the cliche “teamwork makes the dreamwork” still holds. When it comes to music discovery, curation is crucial, and platforms like Spotify’s international emerging artist program, RADAR, keep eager fans plugged into what’s hot and who’s up next in every genre around the world.įor Australian native, The Kid LAROI, his pop-rock hit “Without You,” remixed with a guest appearance from Miley Cyrus, underscores why he’s a major streaming success right now.
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"Try Me" exhales oxygen into a crowded room, and will be welcomed as an anomaly on radio.One of the fascinating things about the modern-day music industry is that an artist in one small corner of the world can find global success overnight. (Yung Lean was himself an atrophied version of a Lil B archetype.) Widely varying in quality, these records can walk a fine line between trivializing their subjects, and casting them in a new light-violence as contemplated abstraction. There's a continuity to this strain of affected innocence and amateurism in current rap: consider the boyish playground vocal style of Rae Sremmurd as they rap about carrying extendos, the dreamlike ambience of Chief Keef's marginally popular but critically acclaimed "Citgo," or even Yung Lean's dry, monotone recitations of rap cliche.
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Which is to say it's quotable in any situation, stuffed with a lifetime's worth of stories, all tossed off in an unassuming drone.Ĭonsidering Drake's recent infatuation with Makonnen, it should be unsurprising he's been drawn to Dej's similarly moon-eyed detachment.
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Her uncensored reality is one of violent threats ("Let a nigga try me, try me, I'ma get his whole muthafuckin' family"), pop culture references ("Set it off like Jada Pinkett"), armored self-awareness ("Mind full of money, heart full of demons"), everyday irritants ("Gave him my number he won't stop calling"), and casually tragic asides ("I've been out my mind since they killed my cousin"). In this setting, Dej's lonely sing-song melody propels errant thoughts, as if she were singing to herself with no audience. It's the sonic topography of the Midwest, evoking open spaces under the unreal orange glow of city sodium lights. In combination with its propulsive kick drums, the record's soft washes of synthesizer and serene, reverb-heavy piano recall a local history of futurist Detroit techno as much as any local hip-hop antecedents. "Try Me", released in early July, glides on an airy, atmospheric gem of a beat by Ypsilanti, Mich., producer DDS.